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October 2012

Popular Chaturbate Male Web cam Model and Upcoming Gay Porn Superstar

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Popular Chaturbate Male Web cam Model and Upcoming Gay Porn Superstar

Dave Slick, one of the most popular male web cam models on , now begins doing gay porn. Leaked And Loaded released his sex tape with gay porn star Billy Santoro last month. You can even watch Dave Slick fuck muscle bottom Sean Duran on Bait Buddies. Dave also released his own gay porn videos on ManyVids.

This hottie is bisexual and versatile. Yes you can watch him both fuck and get fucked in his videos. For anybody who wish to become familiar with this hot male web cam model more, check out Queer Me Now’s exclusive interview with Dave Slick below.

An Interview With Web cam Superstar Dave Slick
Please introduce yourself. What’s your name, how old are you, where are you from, and exactly how long you have been a webcam model?
I am Dave Slick. I am twenty six years old from Scottsdale, AZ and I have already been a webcam model for just two years now.

What’s the story behind your stage name “Dave Slick”?
This is rather comical really. ONCE I started webcamming, I needed no idea it could take off and be the begin to a career. I wanted something that would be easy for individuals to keep in mind, and went off using some silly internet name generator. I just went my middle name of David, and the name of my first pet, which was a gecko called “Slick”. And that was it.

What’s the best and worst things about being truly a male webcam model?
The greatest thing about being a web cam model is the freedom which i am afforded. I am able to use whomever whenever I’d like. It’s wonderful. My plan is my very own and I can plan things on my time. And of course, individuals are wonderful. I am part of an extremely vibrant, fascinating, and welcoming community.

Of course, however, here also lies some of the more frustrating aspects. The price tag on that freedom is also that I am accountable for absolutely everything within my business, I don’t really ever take times off. In addition, it takes on toll on an individual life. The lifestyle I have, limited time, and my general obsession with work make an individual life all but nonexistent.

Do you consider your concert events now have transformed/improved compare to when you first start? And exactly how?
The distinctions between my first shows and the shows I put on now are incredible. My way of doing things has advanced so much. I began camming as something to help settle the bills, so that it was something I put minimal effort into. I was a single performer and liked simple shows while communicating with people. That was almost the whole first year. Then I decided to invest in this regular as my knowledge of this improved, and I realized the potential there is in discovering the mature entertainment industry for my profession.

Now, I really do a variety of content. A number of the shows remain single and are laid back. Others are much more intense and are live sex shows with both men and women.

Do you have any advice for new web cam models?
Among the better advice I could give new cam models is that what you placed into this is exactly what you’ll get out of it. To be successful requires a large amount of work and commitment.

What’s the difference between doing concert events with gay porn celebrities Vs other webcam models?
There are definitely differences between dealing with porn superstars versus cam models. They both have strengths and weaknesses when executing live for webcam. Cam models generally have a better grasp on audience engagement and the at times spontaneous nature of the performance. Porn superstars, on the other hand, are not as familiar with the nuances associated with camming. However, they replace it using their ability to execute on https://www.x-webcamslive.com/en/chat/SexPlanet/ camera. These are comfortable and all set, always prepared.

Dave Slick Gay Porn Sean Duran BaitBuddies

Please tell us your experience shooting a gay porn scene for BaitBuddies.
Shooting that scene was just ordinary fun! Sean Duran is sexy as fuck and was so awesome to work with. And truthfully, I felt a lot more relaxed than a lot of my camshows. It’s nice to be told what to do for a big change rather than be the one telling others what to do. I had a blast.

What do you think is the primary difference between doing live webcam shows and shooting gay porn video?
I find doing live cam shows to become more stressful, especially if you’re working with another person and you’re just becoming acquainted. It’s part of why I like to have my guests out here each day early. I like to get to know people and understand how to communicate with them. Communication is big. Live cam shows can be very stressful since they can be so spontaneous. Unplanned things happen all the time. And there is the largest difference between porn and cams I think. On webcams, you can hide nothing at all. Everything shows, every mistake. With porn, you may make the completed product very idealized, and eliminate anything you don’t want people to see.

Dave Slick Gay Porn Billy Santoro ManyVids

Additionally you produce gay sex moments on ManyVids. Please reveal more about it.
The videos I offer on ManyVids arose as a consequence of my working more with other people. I saw a simple chance to provide quality camshows and concurrently produce “professional amateur” porn. ManyVids has made a great name for itself, and expanded significantly in the last year. I decided to go with that for the time being as a platform to sell those videos. They could be seen at daveslick.manyvids.com. I am very particular about the quality of these videos. As time goes on, I continue to make changes to boost quality.

You take into account yourself bisexual. What kind of guy transforms you on?
I’m definitely into the more masculine guys for certain. It’s interesting really. I like women to be feminine but men need to be masculine. I like guys youthful and old, but fit rather than toooooo hairy. I’m not into hairy buttholes or pubes gone crazy. ??

What’s your preferred sex position?
Oh I totally love to have my dick ridden! And am I lame easily say that I really like missionary? It’s so romantic, and I think that just makes sex so much hotter. Consider it. As animals, the stomach is one of our most vulnerable parts. Dogs rest in a ball to safeguard their stomach, and only construct when they trust someone. So I feel just like missionary is so passionate, being so susceptible to your lover.

Where’s the craziest place you ever have sex?
Actually, I’d rather answer this as the craziest place I ALMOST experienced sex. I emerged so close to having sex on a Ferris wheel at a significant amusement park. And I mean close, genitals subjected. Sadly, we hit the very top of the rotation and that put another cars level with ours. Fortunately, we knew people behind us. Suddenly they were able to see straight into our car, which acquired a light. The laughter commenced immediately.

Tell us 3 things people will be surprised to know about you.
This is difficult because I’m generally an open up book. There’s very little about myself people have no idea. First, because it always surprises people, I’d talk about that as a teenager there is a good chunk of time I used to be considering becoming a priest. I used to be always a devout Catholic. My current profession is a little bit different than if I had taken that path. Second, which is something I’m very open about but when people first observe it these are always amazed, I’m in recovery. As a adult I had formed very serious issues with substance dependency. It was the best obstacle in life for me to get over and I wouldn’t have lasted a hot minute in this industry easily hadn’t already become sober. Then I’d say the last one is simple. I actually really prefer lowkey getting together with a few people the majority of the time instead of going out. I can appear very extroverted, as do most cam models. However in reality, I’d say most of us are closet introverts.

What’s next for Dave Slick in 2018?
2017 was a hugeee calendar year for me. My decision to make this my life emerged at the start. Since that time I’ve gone from a single performer of very humble methods to now doing duo and group shows and producing quite happy with other people. May brought XBIZ Miami and my Top Male Cam Model award win. The summer brought my move to Scottsdale, where I put better access to talent locally and also better ease of flying talent to me. And every couple a few months my content has evolved.

Cam Modeling and “Future Sex”

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Cam Modeling and “Future Sex”

Emily Witt’s (2016) book Future Sex chronicles her seek out intimate self-realization as a fresh Yorker in her early 30s migrating to tech-centered SAN FRANCISCO BAY AREA. The book is based both in interviews and personal experiences, stringing vignettes jointly into chapters with topics including polyamory, Orgasmic Yoga, Internet porn, and Burning Man. On this review, I highlight her section on sex camming.

But first, I am going to start with a wide overview. A major theme in the reserve is the type of existential angst that comes from having way too many choices. Witt seems daunted by her sexual freedom as a millennial—the unlimited range of intimate partners and procedures—first made possible by the sexual trend, and then by the web. She (p. 12) clarifies:

Imagine if love failed us? Intimate freedom got now extended to the people who never wanted to shake off the old institutions, except to the extent of showing solidarity with friends who do. I had not sought so much choice for myself, so when I came across myself with total intimate freedom, I used to be unhappy.

Witt spent her early adult life wanting to find long lasting love—and perhaps even relationship—observing this as a getaway from the cycle of causal intimate arrangements, occasionally punctuated by periods of monogamy, that has up until now defined her intimate life. But Witt’s desires conflict with the world she inhabits, as Millennial intimate norms privilege freedom over security in human relationships. She (pp.11-2) details why security remains desired, even as the Internet opens ever more options:

The growth of sexuality beyond marriage acquired brought new reasons to trust the traditional controls, reasons such as HIV, enough time limitations of fertility, the delicacy of emotions. Even while I resolved for freedom as an interim condition, I planned for my monogamous future. My sense of rightness, after the failed experiments of previous generations, was like the reconstructions of the baroque nationwide monument that was damaged by a bomb but another kind of freedom had came: a blinking cursor in vacant space.

In questioning these new passionate configurations where freedom prevails, Witt echos what public theorists Anthony Giddens and the late Zygmunt Bauman respectively explain as “pure relationships” and “liquid love.” Both authors claim that the perfect of unconditional dedication has been supplanted by continuous negotiation and the criterion of shared benefit. And, even in coupling, personality remains central.

Missing a secure, committed relationship in the old mildew, Witt models out to explore the possibility of fulfillment (or, at least, self-knowledge) in less standard situations. As works out, it is within the section on “Live Webcams” that Witt will the most theoretical work to explain why seeking diverse experiences—the project of the publication—might assist in her search for sexual self-realization. Specifically, she points to an essay in the publication Time Square Red, Times Square Blue by the gay African-American author Samuel D. Delany about the time he spent having anonymous sex in porno theaters. Witt (p. 126) summarizes the essay:

Delany explaind the benefits of his vast experience in casual sex. The movie theaters had served as laboratories where he had discovered to discern the nuances and spectrum of his intimate desire… His observations about intimate attraction regularly disproved conventional notions of beauty and ugliness. (He uncovered, among other proclivities, that he had something for Burly Irish-American men, including two who experienced hairlips.)

She quotes Delany who suggests we should “learn to find our very own way of experiencing sex sexy” and concludes:

I don’t see how this is accomplished without a statistically significant variety of companions… However supportive, the response of a single partner just cannot do this. This is a quintessentially public process…

Unlike Delany, Witt (p. 204) mainly lands back where she started, finding monogamy rewarding however now embracing a perfect of commitment as short-term:

I hope that married collaboration would stop to be seen as a totalizing end point and instead become something more modest, perhaps am institutional basis for distributed efforts such as raising children or making artwork.

But this return to a somewhat conventional notion of romance shows to be the most interesting facet of the publication. Witt’s thinking about the freedom and variety of experience open to the present era seems to develop. Rather than viewing the almost infinite selection of sexual options as daunting, Witt ends up viewing it as an chance to experiment until one discovers confidence and feels affirmed in their own desires. She (p. 204) says:

I came across that… mostly I wanted to reside in a world with a wider range of intimate identities. I hoped the primacy and legitimacy of an individual sexual model would continue to erode as it offers, with increasing acceleration, before fifty years.

Though she does not state it so explicitly, I’d claim that Witt has uncovered an interesting dialectic between freedom and security. Though freedom to explore may aid us in discovering what we find sexually desirable, exploration may, paradoxically, lead to security in one’s set up sexual desires, when new experience continually prove less gratifying and thus reaffirm the appropriateness of these desires.

And, while final chapter amazing things off a little, I think the desirability of embracing this stress between freedom and security is the clear (if unstated) conclusion of the reserve.

Third , theme of sexual exploration as a system of self-realization, I now want to turn to the question of what camming instructs Witt about her own sexuality (and what we should can find out about camming in the process). Witt (p. 114) details her encounters with the popular camsite Chaturbate:

I first noticed Chaturbate and the countless other live-sex-cam sites available online as porn… as the technological advancement of peep show booths and mobile phone sex lines. Like those, they had a performer and they had a voyeur… I QUICKLY spent additional time on the webpage.

As she dives deeper in to the site, Witt decides that the resemblances she observed between cam sites and other types of sex work/performance were only superficial. The diversity and interactivity of cam sites set them aside.

Chaturbate was filled with serendipity… the feeling of clicking through the 18+ disclaimer into the starting matrix was the one of turning on MTV in the middle-1990s, when music videos played most of the day and kept viewers captive in the anticipation of a favorite performer or a fresh discovery. Or maybe, to reach farther back in its history, it recalled the earlier days of the Internet—the web of strangers rather than “friends.”

Witt’s decision to approach her subject matter through the lens of her own desire—as defined in the first section of this review—demonstrates both interesting and problematic in this section.

What makes Witt’s strategy interesting is that, in bypassing the popular rooms that she generally finds uninteresting, she takes us to the margins of the websites, searching for the unforeseen. This consists of an Icelandic girl who strips putting on a rubber horse face mask and fedora. In a passage consultant of her snarky but appreciative style, Witt details (pp. 112-3):

maybe it was the home that she was in or her hi-def camera or an over-all characteristic of the Icelandic people but even faceless she gleamed with the well-being that emanates wherever per-capita consumption of fish oils is high and people reap the benefits of socialized healthcare.

Witt also identifies a college-age women who talked about books and made $1,500 performing a 24 hour marathon that presented much speaking, some nudity, no sex. A 3rd woman suspended herself from a hook manufactured from ice. And another woman held nude sex ed discussions.

Going for a cue from one of her interviewees, Witt describes the intended use of site—a couple of performers broadcasting to numerous viewers in each room—as “mass intimacy.” But, the most interesting part of the chapter was Witt’s exploration into a culture that has emerged around using Chaturbate to help unpaid, anonymous, 1-on-1 sex.

Assisted by two performers that she interviewed, she “multiperved” or “audio-Skyped with one another while sifting through videos online” (p. 124). Collectively, logged to browse the countless web pages of men loading but being viewed by no one. She represents (pp. 124-5):

not even typically the most popular men, instead clicking through to the next and third web pages for the true amateurs, the forest of men in desk chairs… It proved that they waited there for a reason… so that they will find someone who will cam-to-cam with them…

Witt (and her guides) stumbled upon a man she finds relatively attractive, and she chats with him. The man quickly invites her to turn her cam on. She obliges and sets up a password-protected room so only he can easily see her. While Witt will not seem to find the encounter particularly satisfying, she (p. 125) does offer some insight into the value others find in the knowledge:

https://www.x-webcamslive.com/en/ here, where hopes resided in the opportunity of an electric encounter between two people, tokens mattered much less. If, on its website landing page, Chaturbate was thousands of men viewing a few women, a few webpages in, the figures changed to one or two different people using Chaturbate to communicate privately with another person.

Witt’s experience highlights a really interesting case of technology used against the grain. It is a rougish activity for users to seek non-transactional seductive or sexual encounters on sites whose revenue come from viewers purchasing tokens. While these sites afford such activity , nor prohibit it, they do not plan or explicitly condone it either. It really is, perhaps, due to this absence control that sites enjoys Chaturbate remind Witt of the sooner Web.

While Witt’s study of the margins of camming sites is disclosing, she also, arguably, fails to stand for most of what is going on these sites and it is even somewhat dismissive of the more popular performers. Because she focuses on her wishes as a thirty-something NYC article writer, Witt sometimes shows a hipster bias, where, if something isn’t weird or edgy, it’s not seen as deserving attention.

Witt is also not really a joiner. Her wish to test as part her own quest for intimate self-realization, drives her visit many places; but, for the most part, Witt will identify or feel a sense of belonging with the individuals she meets. She seems to participate only far away, observing others as topics as much as human relationships. Witt (p. 172) represents her own romantic relationship to a sex party she attends, saying “I had been still thinking of myself as just a visitor, or rather neither here nor there, someone starting an abstract inquiry however, not yet with true intention.” This distancing is valuable insofar as it brings with it a amount of objectivity (almost every other things discussed Orgasmic Mediation, for example, appear to be marketing copy); however, it does mean she’s struggling to offer an insider perspective through her personal narratives.

What’s lacking in the section on camming—credited to some combination of her hipster bias and lack of personal experience—can be an examination of the many proportions of creative labor that goes into producing evening the most normative-appearing shows. Got Witt attempted modeling herself, this would be readily apparent. The seeming simplicity with which models embody normative wishes is part of the work—part of the performance of authenticity.

A most troubling second is when she uncritically relays one of her interviewee’s characterization of the top performers as “zombie hot girls” (p. 124). This privileging of the strange in porn feeds some sort of whorearchy, where certain types of sex work/practice are denigrated as a way of validating others.

Witt certainly is not consciously anti-sex work. In the previous chapter, in fact, she offers significant amounts of compliment for the artistry women porn directors and makers, and she spends a significant time questioning her own beliefs formed by mainstream feminism and considering more inclusive feminisms that accept sex workers and porn as a medium. And, quite insightfully, she argues very much fetish porn is a reaction or response to new taboos set up by anti-porn feminists.

Nevertheless, Witt will not seem to extend the eye and regard she has for women-directed studio porn to the women-directed shows of popular cam models. I’m certain they have unique insights and amazing stories to tell.

No matter these few criticisms, Witt gets one key thing right: The continuing future of sex can’t be reduced to a tale of technical development but must be recognized in conditions of changing patterns of human being romantic relationships. She (p. 210) concludes “America got a great deal of respect for future years of objects, and less interest in the future of human arrangements.” Because of this only, Future Sex probably deserves more attention.